The Big Gay Cabaret

#1 Hits

The Straz – Jaeb Theatre
March 2, 2024

Vic Omila Vic Omila

Crazy Little Thing Called Love

From the opening notes, the chorus set the tone with an energetic and tight arrangement that captured the essence of the original song. The rhythm section drove the song forward with a bouncy, retro vibe, while the chorus’s vocal harmonies added richness and depth to the performance. The tempo was lively, and the playful spirit of the song was reflected in the chorus’s spirited delivery. The ensemble’s dynamic range was evident, from the smooth, laid-back verses to the explosive, full-throttle chorus, showcasing their versatility as performers.

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Can't Help Falling in Love With You

Jon Guttierez’s smooth, rich baritone voice was the perfect fit for this heartfelt ballad. From the first note, he brought a sense of intimacy and sincerity to the song, drawing the audience in with every phrase. His ability to navigate the song’s emotional depth was evident, as he delivered each lyric with gentle vulnerability and genuine affection. Whether singing softly or soaring to the higher notes, Guttierez’s voice effortlessly conveyed the yearning and devotion embedded in the song.

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Beatles Medley

The performance opened with the timeless “Help!” with Shirley leading the charge. Their voices, blending perfectly together, set the tone for a powerful and emotionally charged rendition. Hession’s vibrant energy and Lockard’s smooth tenor brought an infectious sense of fun to the performance, while Byrington’s and Omila’s rich baritone lent a depth and resonance to the song choices.

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Downtown

Matthew Riegel’s performance of “Downtown” was a perfect fit for the Big Gay Cabaret: #1 Hits concert, exemplifying the essence of pop music’s power to inspire happiness and connection. His performance reminded the audience that sometimes the best way to embrace life is to take a leap of faith, and there’s no better place to do that than “downtown.”

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I Will Survive

The seamless fusion of these two songs—one about love lost and the other about survival and empowerment—was a highlight of the Big Gay Cabaret concert. Hession’s vocal versatility, emotional depth, and commanding stage presence made this medley a show-stopping moment, leaving the audience inspired and uplifted.

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Better Man

Christian Hewett’s rendition of “Better Man” was a standout moment in the Big Gay Cabaret concert, showcasing his vocal talent and emotional depth. The performance highlighted the universal themes of love, loss, and personal growth, leaving the audience moved and reflective long after the song ended. It was a perfect example of the Gay Men's Chorus of Tampa Bay’s ability to elevate popular music into something deeply meaningful and resonant.

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We Are the World

One of the most powerful and moving moments of the evening was the select members of the chorus’ performance of “We Are the World”, the iconic song recorded by USA for Africa in 1985. Written by Michael Jackson and Lionel Richie, this global anthem of unity and compassion brought the audience together in a collective moment of reflection and hope, making it an ideal piece for the concert's theme of celebrating the most impactful hits in music history.

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Just the Way You Are

Vic Omila’s performance of “Just the Way You Are” was more than just a tribute to Billy Joel; it was a celebration of individuality and self-acceptance. It reminded the audience that we are all worthy of love exactly as we are, a message that resonated strongly in the context of the concert and the chorus’s commitment to inclusivity and pride. Omila’s performance was an emotional high point, leaving a lasting impression on everyone in the theater that night.

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Let's Get Boombastic

Together, Anson and Yarosh delivered a perfect balance of fun and passion, making their duet one of the standout moments of the Big Gay Cabaret concert. Their ability to switch between genres and styles, all while maintaining an undeniable rapport, showcased the versatility and talent that defines the Gay Men's Chorus of Tampa Bay. The performance left the audience dancing, clapping, and cheering, proving that music has the power to move us in many different ways.

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You Give Love a Bad Name

The performance was more than just a vocal showcase—it was a full-on theatrical experience. Fortin’s stage presence was magnetic, matching the song's fiery energy with playful gestures and rock-star charisma. Whether he was commanding the stage with an exaggerated swagger or engaging directly with the audience, his performance was a perfect blend of musicality and showmanship.

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Saving All My Love For You

Accompanied by a subtle piano arrangement, Arcos’ performance felt intimate and personal. His stage presence was magnetic, drawing the audience in as he embodied the vulnerability and passion of the song’s narrator. The simplicity of the setting allowed his voice to shine, letting the song’s message of love and devotion take center stage.

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Dreams

What set this performance apart was the blend of raw emotion and technical skill. Smith and Heath’s voices effortlessly soared through the song’s intricate harmonies, drawing the audience in with each note. Their heartfelt delivery transformed “Dreams” from a classic rock anthem into an intimate, soul-stirring ballad that echoed the universal themes of longing and self-discovery.

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Freedom ‘90

One of the standout moments of the evening came when the chorus performed George Michael’s iconic 1990 anthem “Freedom ‘90.” The song, a declaration of independence and self-expression, resonated deeply with the LGBTQ+ community and beyond, becoming a symbol of liberation and personal empowerment.

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